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The podcast that rams its hand down the settee of the greatest pop TV show ever. Each episode takes one random episode of Top Of The Pops and breaks it down to its very last compound, from the tunes to the audience reaction to what colour silk bomber jacket the presenter is wearing that week. Hosted by Al Needham, with huge assistance from some of the UK's toppermost music writers, it's an unflinching gaze into the open wound of pop culture and a celebration of Thursday evenings past.
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Jun 16, 2017

The fifth episode of the podcast which asks: why is Richard Stilgoe going on about acne?

This episode finds Top Of The Pops smack in the middle of the Eighventies in a state of flux, after being off air for nine weeks due to a Musicians Union strike. The Kids are sat on the floor, the set is even more sparse than usual, and they're experimenting with guest co-hosts - a process which would start with Elton John and end with, er, Russ Abbot. This week, it's Tommy Vance and Roger Daltrey - The McVicar Himself - who takes crumpet-leering to heights that not even DLT would think possible, moans about The Clash not being on (when everyone else knows they don't do TOTP), and casts that aspersion upon the Village People.

Musicwise, we carom from Ultravox awkwardly dancing behind synths to Legs & Co channelling the spirit of the International Day episode of Peppa Pig to the Dad in Worzel Gummidge performing an old song which isn't a patch on I Got Those Can't Get Enough Of Those Blue Riband Blues to Grace Jones with a fag on to David Bowie's dead expensive new video to Abba putting a right downer on everything at the end with their adult relationship break-up palaver. And the drummer of Slade sits there with a shaker for no real reason at all.

Al Needham is joined by Taylor Parkes and David Stubbs for a through evisceration of 1980, veering off to talk about how Roger Daltrey put them off meat for life, what it's like to stop the night at Benny Out Of Abba's hotel, and how being dressed as a Pierrot on an orange beach and reacting to having your picture taken by a paparazzo as if you've been shot is a bit rubbish, really. And loads of swearing.

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