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The podcast that rams its hand down the settee of the greatest pop TV show ever. Each episode takes one random episode of Top Of The Pops and breaks it down to its very last compound, from the tunes to the audience reaction to what colour silk bomber jacket the presenter is wearing that week. Hosted by Al Needham, with huge assistance from some of the UK's toppermost music writers, it's an unflinching gaze into the open wound of pop culture and a celebration of Thursday evenings past.
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Jul 17, 2017

The seventh episode of the podcast which asks: if Les Dennis and Dustin Gee were Torvill and Dean, who would be who?

This episode sees us firmly on the wrong half of the Eighties, with Live Aid a mere five-and-a-bit weeks behind us, and the Greatest Pop Programme Ever is not coping very well with it. At all. For starters, it's been shunted up to 7.55pm to make way for Eastenders, The Kids are burdened with pom-poms and manky pastels and pushed right to the back of the studio and danced at by Pineapple Studio Wankers, there's a compulsion to lob in as many videos as possible, Garry Davies is wearing an appalling jacardigan, and there's Steve Wright.

As for the actual music, Lisa Lisa is with Cult Jam (but without Full Force), Drive by The Cars is trotted out for the second year running, Kate Bush rises about it all as usual, Stock Aitken and Waterman make a record that actually manages not to get on your wick. and oh look, there's Madonna with her pits over the hand dryer. And there's a woman cupping a right handful of a gorilla's breasts.

Al Needham is joined by Taylor Parkes and Neil Kulkarni for an unflinching gaze into the open wound of post-Live Aid Pop, breaking off to discuss failed Marxist dictatorships in Ethiopia, failed attempts at breakdancing, Psychobilly caravan holidays in Skegness, persistently homosexual Mexicans, the Curse of Arsewasher's Back, and white boys from villages going to black hair salons in order to look like a wrestler. And swearing.

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